
I have been going to see live music for more years than I care to remember, and seriously frequenting gigs since I moved to London in 1995. Never has a Yes tour gone by since then without my suitcases getting some action. Good music has taken me around the world, brought me friends, tempered my moods, and given me a sense of smug superiority over those who listen to punk, hippity-hop poor-man shooting tunes, and other such unmelodious and worthless dirges.
Prague is a city that holds much good music. It is also a city where I can afford to go and see it; pay witness to the act, as it were. Some might call what follows pictures at an exhibition. Or merely things that go to make up a life…
Stan the Man plays loudly and drowns out the yammering Yanks in the bar. He has the longest running blues gig in this city, as you can not fail to know from the press cuttings outside the club. One dose and you see why. His assault on the strings has the sort of fire that you only see in a musician that hasn’t made it rich. His face tells the story. The words, when audible, just highlight. The feeling is all within. Alongside him the drums and bass are to music what drum’n’bass isn’t. Controlled power. With his cap slung over the statue and the naked lady peering over his shoulder there is no room for youth worship and fashion parades here. At least not on the stage.
They sit close but apart, and her long blonde hair falls down over her shoulders. It’s a tight black dress occasion; the sort that is not designed to be worn for long. During the interval he goes to the guitarist in the bar. A nudge, a wink, a whisper. Returning to his seat he heaves his portly gut in behind the table and smiles a pathetic empty smile; a smile as empty as her dead-ahead stare. A song, a dedication… time for the slow one. The sort of song that would suck if Eric Clapton played it. But Stan is real aching blues, not Range Rover Rock for fat ex-Yuppies from Surrey. The crowd turns to peer at the couple. A nudge, a wink, a whisper. I try to read her eyes. It pays better than working in a shop. Some nights will be okay. This one probably not. As she passes men on the staircase she looks up… part SOS, part “for rent” sign. The band plays hard and loud, still roaring, still aching, still drowning.
Drowning in bodies, it felt like sometimes. About eighteen thousand of them, all turning up to see Roger Waters play Dark Side of the Moon. The moon was about the only place that they hadn’t come from. Central Europe in the EU era is a good place for old rockers. Border restrictions are gone. The lines on the map have quit moving from side to side. For now at least. Everyone can pile in and listen to the illicit and subversive words of the man who built a Wall and then tore it down to escape the madness. It was hard to turn without walking straight into a Polish flag.
A long wait. In my case five hours. My feet hurt. Next time get a seat. Flying pigs, lasers, smoke bombs galore. A snarl at Bush and a gripe at Maggie. The backing singers hit the mark. Andy Fairweather-Low, unrecognisable from his teen-idol days, played a mean guitar. No beer is allowed on the stadium floor. Bugger. Someone holds my place while I go to the bar before the show starts. Don’t even bother at the interval. No way to get back. Smoking is banned but that doesn’t stop the pothead who keep lighting up when the more psychedelic tunes get aired. He’s being careful. He knows that he could get chucked out. He also knows that he could get torn apart by all the reformed hippies who haven’t touched the stuff for years but would kill him and ten others for a single drag during Shine On. I look hard for him.
I looked hard for about two hours. Where was the bloody noise coming from? I could hear it from the flat… the unmistakable din of a drummer’s soundcheck. Bang! Bang! Thud! Crump! Bang! A din that it is normally advisable to run away from, but just where was it? It wasn’t behind the school, down the road, through the tunnel, or behind the hill. But it was getting louder. I should have looked up sooner… up Žižkov Hill to be precise. It’s a long climb and you need a beer when you get to the top. It’s a good job that there was an outdoor beer and rock festival up there that day. It had lots of food, and market stalls, and lots of standing around in the sun, overlooking Prague, and drinking beer. Then the Led Zep tribute band walked on. An American girl screamed wildly then apologised afterwards. Beards reverberated knowingly in unison. Immigrant Song brought back memories of teacher training, and the night I blew my voice watching Robert Plant with my elbows on the stage and a busy day to follow. They were pretty cool. The big crowd liked it. Then we went back and stood in the sun and drank beer some more.
Standing in the sun drinking beer is good fun. When you’re doing it in the name of not being a Communist git then it is even better. Letná Plain, the vast expanse of flat land that lies atop the city and across the road from the home ground of Sparta Praha, used to be the Red parade ground. It was there that the loyals would march and celebrate the workers' paradise that hadn’t killed them yet. Now, to the irritation of those who miss a bit of Saturday night purgin’, the capitalists have crashed the party. On the first of May, when lefty dimwits around the world still see fit to go out and look untidy in the name of the people, those who gather on Letná are moderately right. In more ways than one.
Nika Diamant opened with her band. The spring breeze did its usual spring breeze thing and billowed playfully around the curtains at the side of the stage. Curtains sponsored incidentally by Bernard beer who were supporting this event. It is a good beer that helps out at anti-communist rallies. I drink a lot of it and you should too.
The crowd moved forward, away from the stands and stalls and anti-Chinese petitions, to listen to the music. Without the confines of an indoors the sound rang out clear of echo or distortion… sultry rhythms and jazz standards. Finger clicks and tasty licks. Cool on a hot day. I saw her in a club the month later, when I was sitting at my usual table. You can find me there by the piano. The stage was much smaller but her voice was just as big as before.
I like that table. It’s almost on the stage if there was a stage. More honestly it is on the bit of floor where the musicians stand. “In your face”, as our less-educated cousins would exclaim. I don’t want to stare at the back of your head. If I wanted to do that I would follow you down the street. I don’t want to hear your voice. If I wanted to do that I would give a damn what you say. Most of all I don’t want you to distract me. If I wanted distraction I would get a go-go dancer. I don’t even want perfect sound. For that I can buy the record. I want to be close. I want to feel the music. I want to hear the slide of fingers on guitar strings, and wince in pain at the effort on a double bass. I want to hear the click of a dropped stick and the muffed laugh of the pianist as he hits a bum one when snoozing in his solo. The breathy count of the chanteuse as she ushers in the tempo. The growl of the bluesman and the silent curse of the perfectionist. Anything but the bullshit of the expats.
I asked the girlfriend of one musician why they only spoke in English on stage. Only tourists come here, she said. It’s a show for tourists. She said this in the interval of a session when her bloke’s band bent a few lesser laws of physics exploring the darker regions of the jazziverse. If this is what they do for the tourists then I’d like to see what they do when they mean it.
The drummer meant it on Thursday. Hitting the skins for Miriam Bayle, whose voice sounds a lot more exotic than her name, he was a tricksy little bugger. Never the same way twice as the saying goes. Never the same one once the joker could retort. They got a trumpeter to sit in and started playing Thelonious Monk for kicks. It kicked. It was her own arrangement. That’s what they do around here. It’s called talent. I’d like some.
They played Masquerade… yes that one the Carpenters did… in an arrangement that twisted and turned. I last heard that song in Budapest. It was a hot night and everyone was sitting outside. The waitress was friendly so I pretended to like the beer. Inside, to an audience of nothingness, a group of guys jammed to cover the awkward silences and bovine chewing of the punters. They played Masquerade too… fooling around and improvising and getting lost and finding the way… for about twenty minutes. They were playing for themselves and I doubt they knew that anyone was actually listening. But out there, on the eve of a sentimental journey, at least one person was…